MANY YEARS WORKING FOR

MASTERING
 ENGINEERS 
MIX ENGINEERS  MUSICIANS PRODUCERS

Performing technical Services, producing and engineering Records and building Audio Electronics throughout my career have shown me exactly what is needed to create the perfect environment for you to work in.

I have been lucky enough to collaborate with many distinguished personalities, such as: Eddie Kramer, Byron Gallimore, Ray Kennedy, Max T. Barnes, Randy Thomas, Bob DiPiero, Dennis Morgan, Gene Breeden, Owen & Bobby Bradley, Wayne Carson, Hank Cochran, Michael Lunn, Richard Dodd, Hal Rugg, Bernie Leadon, Mark O’Connor, Jim Mckell, Gary Talent, Marshall Morgan, Billy Gibbons, Mark O’Connor and Paul Simon and many others not any less important to me.

DESIGN PHILOSOPHY

We approach room acoustics design by looking at the whole. The devil is in the details. – A critical listening space is a system.

This system consists of the room and everything in it, including the people. All of these pieces will affect the sonic accuracy of the recorded material. Everything works together and if one component changes, the results will shift.

Once we have all the building data and acoustic requirements, we can then break it down into manageable parts. We then optimize each part for their specific work role and test them in a full-size, 3-D, virtual build.

A good communication strategy among all the team players coupled with our knowledge and experience, guarantee the future compatibility and stability of the system.

THE
DEVIL
IS IN THE
DETAILS

THE DEVIL IS IN THE DETAIL

STEP 1

Contact

The client contacts us for the first time in writing

This initial contact can be done directly from our contacts page or through the several internet forums we participate in. ( Our Time Zone is UTC+07:00)

STEP 2

Assessment

The client provides us with as much details as possible.

We ask for all property dimensions or, if already built, precise measurements of the space, room configuration and windows/doors placement.

STEP 3

Requirements

Discussing client's needs & space requirements.

We make a thorough requirements assessment, evaluating both the client's and space needs. Sometimes this involves ordering a noise survey of the space.

STEP 4

Quote

We provide the client with a quote.

We work with the client to provide a quote that meets his budget, taking into consideration project complexity and client expectations.

STEP 5

Payment

The client makes payment.

We provide several payment options and plans, depending on client needs and project complexity. After the payment has been made we start working immediately on the project.

STEP 6

Design

We work a design until the client is satisfied.

We propose an initial design and show it in a highly detailed 3D model. We work closely with the client revising and refining the design until it is complete and building plans and layouts are delivered.

STEP 7

Construction

Construction begins.

During this stage we assure continuous support to our clients, providing consulting, construction advice, and best practices, sourcing cost effective materials, periodic building assessments, detailed schematics for acoustic elements, and any necessary revisions to the project.

STEP 8

Optimization

Detailed testing and room optimization.

With client cooperation, we perform detailed tests in the room (ex: listening & speaker position), assess test data and make the necessary adjustments to achieve the best results.

STEP 9

Completion

The project is complete! You now have a high-standards professional facility.

We ask the client to provide us with high-resolution photos of the final result so we can upload them to our hall-of-fame project gallery... and wish much success!

Involved in music

THEN & NOW